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Apr 12, 2021 — Chloé Zhao widens her lead in the Oscar race.

Apr 8, 2021 — The London-based, British Ghanaian artist and filmmaker Larry Achiampong explores race, class, and history in a multidisciplinary practice that, as described in the biography on his website, seeks to “examine his communal and personal heritage—in particular, the intersection between pop...

Apr 8, 2021 — An eighty-year-old widow defies the engines of progress in Lemohang Jeremiah Mosese’s latest feature.

Apr 8, 2021 — If I wanted to do justice to my memory of Bertrand Tavernier, I would have to tell half my life. That’s why I prefer to start with his films—and with the one I perhaps like the best. In Coup de...

Apr 7, 2021 — Songbook Zula knocks back two shots like they’re water, picks up a brimming martini glass, and struts right up to her current lover’s former lover—a poetess, at that—to introduce herself. “Bon soir,” says Zula, French still a little heavier on...

Apr 7, 2021 — The four-part series forages for the roots of the ideology of white supremacy.

Apr 6, 2021 — The new issue spotlights some of the most notable films from this year’s Berlinale—and more.

Apr 5, 2021 — For the first time, all four individual film acting prizes have gone to people of color.

Apr 2, 2021 — One Scene Thomas Vinterberg no longer holds fast to the ascetic tenets of Dogme 95, the film movement he cofounded in 1995 with fellow Danish director Lars von Trier, but what has remained constant throughout his career is his sharp...

Apr 2, 2021 — This week people are writing and talking about Eric Rohmer, Michael Mann, Adam Curtis, the new Jump Cut, and the king of the “geezer teasers.”