The Criterion Collection
The legendary English director talks about discovering world cinema in his teenage years, the ways that Vivre sa vie gets to the “raw core of life,” the humor and politics in The Firemen’s Ball, and his experiences as a film...
The director of the Oscar-nominated documentary Fire of Love shares her passion for nonfiction filmmakers Chris Marker and Les Blank, and for the iconic love triangles in Jules and Jim and Y tu mamá también.
The codirector of Man Bites Dog praises the production design in The Scarlet Empress, the “total magic” of Brazil, and the joys of silent cinema.
The actor tries not to “get greedy” and zeroes in on a few choices for his friends.
During a trip inside our closet, the writer-director told us about how Chantal Akerman inspired a few moments in her acclaimed debut feature, Aftersun.
While in town for the New York premiere of Marie Kreutzer’s Corsage, the acclaimed actor visited Criterion to film an interview for our edition of Mia Hansen-Løve’s Bergman Island and to take a trip inside our closet.
In town for the New York premiere of his documentary Is That Black Enough For You?!?, the critic and filmmaker selects some of his favorite movies, including a few that opened up new possibilities in Black cinema.
While in New York City for a theatrical run of his 1984 film The Runner, the Iranian filmmaker took a trip into our closet, where he gravitated to ambitious, sprawling works like A Brighter Summer Day and Dekalog.
Celebrate the city that never sleeps in all it's gritty, scary and hilarious moments in these NYC essentials
While in New York to promote her film The Woman King, the director stopped by our office and picked up some of her favorite movies, including Black Orpheus and Broadcast News.