The Criterion Collection
Essays
Oct 26, 2016 — The tropes of light comedy give way to a Kafkaesque nightmare in this incendiary critique of moral rot in Franco-era Spain.
Oct 19, 2016 — Martha Karsh, editor of The Beatles A Hard Day’s Night: A Private Archive, published in September by Phaidon, talks about her family’s Beatlemania and assembling a book about the world’s most famous rock band.
Oct 18, 2016 — Guillermo del Toro’s anti–Wizard of Oz refracts the surreal traumas of the Spanish Civil War through the eyes of a young girl.
Oct 13, 2016 — From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.
Oct 11, 2016 — Before the New York Film Festival premiere of Hermia and Helena, his 2016 riff on A Midsummer Night’s Dream, the Argentine director stopped by to discuss the Bard and the movies that shaped him as a filmmaker.
Oct 5, 2016 — Rock critic Robert Christgau examines the evocative use of three early Leonard Cohen songs in Robert Altman’s brilliant revisionist western.
Features
Oct 4, 2016 — This account of a visit to the Beyond the Valley of the Dolls set is excerpted from an issue of the University of California, Los Angeles, newspaper.
In Theaters
Sep 29, 2016 — Ciné, in Athens, Georgia, screens Roman Polanski’s 1968 occult masterpiece, starring Mia Farrow as a woman who believes her husband and elderly neighbors are involved in a satanic plot against her and her unborn child.
Sep 28, 2016 — “King of the Nudies” Russ Meyer injects his transgressive exuberance into this big-studio send-up of Hollywood debauchery.
Sep 28, 2016 — The salacious sixties phenomenon of the Dirty Book made its way to the big screen in this adaptation of Jacqueline Susann’s best seller.