The Criterion Collection
The Daily
Oct 1, 2018 — On Roberto Minervini’s What You Gonna Do When the World’s on Fire? and Frederick Wiseman’s Monrovia, Indiana.
The Daily
Jan 15, 2018 — On Saturday, Fireflies founding editors Annabel Brady-Brown and Giovanni Marchini Camia will launch Issue 5 at Wolf Studio in Berlin. The event will feature live performances from artists Sam Smith (video), Puck Vonk (sound), and Eli Cortiñas (lecture), all of...
The Daily
Dec 11, 2017 — Before we delve into the city-by-city breakdown, lets note that, following its announcement late last month of its narrative and documentary feature film competition lineups, Slamdance has unveiled the lineups for its Beyond and Shorts programs. Slamdance 2018 will run...
The Daily
Aug 8, 2017 — “The gaffers and grips, the electricians and sound men, all the technicians begin to mill about briskly on the thick-sodded grass adjacent to the ice-rimed children’s wading pool. Even the park’s casual strollers, walking their diarrheic poodles and mastiffs, begin...
Sneak Peeks
Jun 19, 2017 — In his film debut, legendary director Nicholas Ray captured the mythic dimensions of the American open road through the story of an outlaw couple.
The Daily
Jun 8, 2017 — When we think of American cinema in the 1970s, it’s the “New Hollywood” that first comes to mind, landmark films such as The Godfather and Taxi Driver, Nashville and Chinatown. In his new book, Opening Wednesday at a Theater or...
Jun 7, 2015 — Critic Glenn Kenny reveals the connection between two classics: Nicolas Roeg’s film Don’t Look Now and Robert Wyatt’s album Rock Bottom.
May 28, 2013 — Mike Leigh’s breakthrough is a funny film about serious things, and an emotional and slyly political take on consumer culture.
Features
Sep 16, 2010 — I didn’t know quite what to say to Allan King when I met him for the first time in the fall of 2003 at his home offices in downtown Toronto. This was partly out of deference to his reputation as...
May 18, 2010 — Nicolas Roeg’s first solo outing as a director is an astonishing visual poem, by turns violent, innocent, and elegiac.