The Follow

Feb 20, 2017 — Joan Crawford delivers one of her greatest performances in Michael Curtiz’s unsparing look at class, ambition, and the all-consuming intensity of maternal love.

Jan 26, 2017 — Repertory PicksThis Saturday, as part of its monthlong series celebrating the career of legendary Japanese actor Toshiro Mifune, Chicago’s Gene Siskel Film Center will screen Kenji Mizoguchi’s 1952 The Life of Oharu on 35 mm. Adapted from poet-novelist Ihara Saikaku’s...

Jan 11, 2017 — When the Academy Film Archive embarked on a new restoration of The Front Page, preservationists stumbled onto a mystery regarding the existing prints of the film.

Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.

Oct 14, 2016 — The two actors discuss their involvement with Richard Linklater’s twelve-year film production, its parallels with their own lives, and the emotional journey of making the film.

Sep 22, 2016 — In this 1979 French television interview, the Cat People director discusses Lewton’s creative idealism and the impact it had on his own pragmatic sensibility.

Sep 22, 2016 — As part of a two-month series highlighting Yasujiro Ozu’s late-career work, the Pacific Film Archive is showing Equinox Flower, a family drama about a conservative father and his rebellious daughter, who refuses to accept his plans for her arranged marriage.

Sep 19, 2016 — If you consider noir as a global phenomenon, then films like Julien Duvivier’s Pépé le moko (1937), Jean Renoir’s La bête humaine (1938), and Carné’s Port of Shadows (1938) may be the first full harvest of this bitter crop.

Aug 18, 2016 — Beloved Hollywood veteran Arthur Hiller passed away yesterday at the age of ninety-two. In a career that spanned five decades and more than thirty films, he demonstrated remarkable versatility, with credits ranging from Neil Simon comedies (The Out-of-Towners, Plaza Suite)...

Aug 17, 2016 — The director of Morris for America, a poignant coming-of-age tale about a thirteen-year-old boy and his widowed father, talks about his eclectic inspirations and unique approach to movie watching.