The Work

Apr 5, 2017 — An exhibition in New York showcases the great French filmmaker’s gallery art, ranging from photographic portraits to installations that blend still and moving images.

Mar 24, 2017 — Capturing the cultural anxieties of the 1970s, Hal Ashby’s comedic parable explores the pitfalls of innocence and credulity in American politics.

Feb 5, 2017 — Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.

Jan 27, 2017 — In a series of tautly constructed marriage dramas, filmmaker Asghar Farhadi has proven himself a remarkable observer of the social, moral, and personal dimensions that shape contemporary Iranian society.

Jan 23, 2017 — Over on the Criterion Channel, we’re premiering the second installment of Adventures in Moviegoing, an original series in which we invite filmmakers, actors, musicians, and other artists to talk about the role that movies have played in their lives. Following...

Jan 6, 2017 — Did You See This? With Alain Resnais’s Muriel, or The Time of Return now streaming on FilmStruck, Leo Robson explores how this radical meditation on memory “invites broader questions about what happens when we return to a movie: Is rewatching...

Dec 7, 2016 — Three decades after her concert film Home of the Brave, multimedia artist Laurie Anderson returned to the big screen with her 2015 sophomore feature, Heart of a Dog. In this visually intricate, sonically haunting nonfiction work, Anderson’s grief over the...

Aug 9, 2016 — The acclaimed writer-director discusses his early days growing up in New York, his transition from acting to screenwriting, and his unique creative process.

May 5, 2016 — Repertory PicksThis Saturday, the Berkeley Art Museum & Pacific Film Archive in California will kick off a comprehensive Seijun Suzuki series (running through June 30), celebrating the visionary Japanese director’s revelatory body of work. On Sunday night, the museum will...

Apr 26, 2016 — Combining Turner Classic Movies’ programming experience with Criterion’s library of films and supplemental content made all the sense in the world.