The Criterion Collection
Essays
Aug 16, 2011 — “It is my best film. I always loved it. I always believed in it. It is real cinema, done for cinema—like art for art.” That was Roman Polanski’s view of Cul-de-sac in 1970, four years after its release and just...
Essays
Jun 21, 2004 — Nouvelle vague euphoria was at its height when Jean-Luc Godard made his enormously clever third feature.
Essays
Jul 21, 1998 — Samurai III, Duel at Ganryu Island, is the last and best part of Hiroshi Inagaki’s Trilogy. In contrast to the earlier, more action-oriented Samurai I and II, this final section shows its hero Musashi (Toshiro Mifune) struggling with questions as...
Nov 17, 1986 — The best of all the Spencer Tracy/Katharine Hepburn comedies, Adam’s Rib is as fresh and topical today as it was in 1949 when it was first released. Written by Ruth Gordon and Garson Kanin and directed by George Cukor, this...
The Daily
Jun 29, 2026 — In the run-up to the country’s 250th birthday, several venues are offering prompts for celebration and reflection.
Jun 30, 2025 — The Austin Film Society spotlights nine performances, each of them a unique declaration of independence.
The Daily
Jan 13, 2025 — Toronto’s retrospective showcases an oeuvre that ranges from Fists in the Pocket (1965) to Kidnapped (2023).
Jun 27, 2023 — With a divided self that reflected the fissures in his country in the wake of World War II, the most courageous and dangerous Italian artist of his generation transcended dogma and resisted affiliations.
Oct 18, 2018 — Separated by more than a decade in Ingmar Bergman’s filmography, these two formally masterful dramas uncover the ugliness of male aggression and brutality.
The Daily
Oct 1, 2018 — Three documentaries at the NYFF explore routes to our current moment.