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The Story of Us

May 22, 2024 Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.

May 30, 2023 What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.

Feb 7, 2023 A series in Melbourne spotlights Guerra’s work with Antonioni, Fellini, Tarkovsky, and Angelopoulos.

Two Midnighters

The Daily

Jan 26, 2023 With confident verve, Brandon Cronenberg’s Infinity Pool and Laura Moss’s birth/rebirth defy horror fans’ expectations.

Sep 28, 2022 Sarah Maldoror’s only completed narrative feature tracks the Angolan struggle for independence from Portugal and reckons with the interlocking systems of colonialism, capitalism, and patriarchy.

Jul 13, 2022 Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.

Mar 25, 2022 With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.

Jan 14, 2022 This week we’re watching and reading about Tom Noonan, Jean Vigo, Marie-Claude Treilhou, and Miklós Jancsó.

Jan 13, 2022 Yes, he opened doors, but he also brought a singular presence to American cinema.

Sep 21, 2021 Johnnie To pays homage to Akira Kurosawa in this martial arts drama about the virtue of struggle and self-improvement.

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