As director

Jul 22, 2022 — Entwined with the evolution of American culture, boxing movies have used the microcosm of the ring to tackle issues of race, class, gender, and labor.

Jul 20, 2022 — The festival will screen new restorations of films by Edward Yang, Jean Eustache, Pier Paolo Pasolini, and Yasujiro Ozu.

Jul 20, 2022 — Bristol’s showcase of restorations and rarities will head out across the UK and Ireland next month.

Jul 15, 2022 — This week we head back to 1981 with Reverse Shot, to the 1970s with Straub-Huillet, and to the 1960s with Marco Bellocchio.

Jul 13, 2022 — Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.

Jul 13, 2022 — With a new book, an exhibition, and a film series, writer and curator Ekow Eshun celebrates Black speculative art and fiction.

Jul 11, 2022 — Three Iranian filmmakers are arrested while another wins the top award in Karlovy Vary.

Jul 8, 2022 — This week: Juliette Binoche’s work with Krzysztof Kieślowski and Claire Denis, post-Berlin School German cinema, and Tom Cruise’s “immaculate superstardom.”

Jul 6, 2022 — The seventy-fifth edition will premiere new films by Helena Wittmann, Alexander Sokurov, and Nikolaus Geyrhalter.

Jul 1, 2022 — Both crowd-pleasing and gleefully subversive, Blake Edwards’s 1982 hit Victor/Victoria remains one of the few Hollywood musicals that explicitly depicts queer life.