The Criterion Collection
Essays
Nov 17, 2020 — Consider Jim Jarmusch’s Ghost Dog: The Way of the Samurai (1999) as a very promiscuous romance picture above anything else—even if not all of its many objects of affection are what you might call properly human and there is no...
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Nov 6, 2020 — A new restoration of Joyce Chopra’s Smooth Talk, the return of Sophia Loren, supercops in the 1970s, and Costa-Gavras’s Z are on our minds this week.
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Oct 30, 2020 — How fitting it is that the season for scary viewing arrives as we teeter on the cusp of a historical moment.
Oct 30, 2020 — In his tension-filled, black-comic Oscar winner, Bong Joon Ho masterfully mixes tones and subverts genres in order to shine a harsh light on the mechanisms that maintain class inequality.
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Oct 26, 2020 — A handful of journals offer welcome diversion in anxious times.
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Oct 19, 2020 — The irrepressible spirit of Pasolini wafts in and out of this month’s round.
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Oct 16, 2020 — This week we’re reading Jacques Rancière on Pedro Costa, J. Hoberman on Pietro Marcello and Jack London, and Sasha Frere-Jones on Jóhann Jóhannsson.
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Oct 9, 2020 — This week we’re revisiting Irma Vep, more than a century of animation, and the work of Jean-Luc Godard and Michael Snow.
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Oct 8, 2020 — The poetic portrait of a mother struggling to reunite her family won a documentary directing award at Sundance.
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Sep 17, 2020 — Antonio Campos’s The Devil All the Time and Sean Durkin’s The Nest have A.V. Club writers revisiting the films they’ve made with Josh Mond.