Back To Search

Work It

Nov 19, 2019 In 1989, film critic Raphaël Bassan coined the term cinéma du look. Describing a tendency in French cinema that had begun in the early eighties and would continue into the nineties, Bassan identified commonalities in the work of Jean-Jacques Beineix,...

Nov 17, 2019 Under the Influence As an aspiring filmmaker in the early nineties, Ira Sachs first sat down to watch Chantal Akerman’s 1975 feature debut, Je tu il elle, about an adrift young woman (played by the director herself) grasping for human connection. At the...

Nov 15, 2019 It’s a strange feeling: adoring cinema while at the same time always sensing that it’s not made for you. This is how I felt growing up, at least. I came of age watching movies, crushing on them so hard that...

Americans in Paris

The Daily

Nov 14, 2019 Curators Richard Peña and Livia Bloom Ingram bring nine “under the radar” titles by independent American filmmakers to the Cinémathèque française.

Oshima in Toronto

The Daily

Nov 13, 2019 TIFF Cinematheque presents an eclectic selection of eleven films by the Japanese director.

Hotel Noir

Features

Nov 11, 2019 Dark Passages I. Vacancy All the rooms are the same. There is always a skeletal bedstead with an uninviting mattress; a scuffed chest of drawers; a grimy little sink; a naked light bulb; bare walls on which the memory of...

Nov 8, 2019 A digital resurrection, an image book, and a painting of a hammer all figure in this week’s round.

Nov 4, 2019 The Viennese avant-gardiste recontextualized found footage to create a landmark trilogy.

Nov 1, 2019 Jonathan Glazer and Michael Mann return, Parasite fever burns on, and Paul Harrill rolls out his acclaimed second feature.

Oct 31, 2019 A series of films by one of India’s greatest and most fiercely independent directors opens in New York.

Current Page
274
of 426

You have no items in your shopping cart