The Criterion Collection
Essays
Apr 25, 2017 — After a string of ill-fated productions, Francis Ford Coppola channeled his feelings of self-doubt in this deeply personal take on S. E. Hinton’s beloved novel.
Apr 21, 2017 — Did You See This? With its startling mix of tones and genres, Jonathan Demme’s 1986 Something Wild captures the destabilizing experience of falling in love. Kim Morgan looks back on this “moody, transgressive, genre-bending, weirdly romantic (and unromantic)” comedic thriller...
Apr 20, 2017 — Programmer Michael Sragow and former Film Society of Lincoln Center program director Richard Peña discuss the holy grail of cinephile TV series and the legendary figures it profiled.
Apr 17, 2017 — A group of Cuba’s most seasoned musicians became an international sensation upon the release of this acclaimed documentary portrait.
Apr 14, 2017 — Did You See This? The just-announced 2017 Cannes Film Festival lineup is a wealth of riches, with new work from Arnaud Desplechin, Abbas Kiarostami, Todd Haynes, Michael Haneke, Noah Baumbach, and Lynne Ramsay, plus a mystery-shrouded Twin Peaks revival. Bright...
Apr 12, 2017 — British director Jack Clayton elicited landmark performances from a host of great ladies of the cinema, including Maggie Smith, Deborah Kerr, and Anne Bancroft.
Features
Apr 2, 2017 — What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.
Essays
Mar 28, 2017 — In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.
Essays
Mar 24, 2017 — Capturing the cultural anxieties of the 1970s, Hal Ashby’s comedic parable explores the pitfalls of innocence and credulity in American politics.
Mar 14, 2017 — Religious fanaticism and anti-Communist hysteria give way to mass violence in this groundbreaking work of Mexican political cinema.