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Feb 14, 2020 — One Scene An irresolvable tension between the natural world and scripted narrative crops up throughout the work of German filmmaker Angela Schanelec, including in her latest feature, I Was at Home, But . . . Winner of the best director...

Feb 14, 2020 — Featured this week are a letter from Hollis Frampton, a new issue of photogénie, a talk with Charles Burnett, and more.

Feb 12, 2020 — Wes Anderson’s The French Dispatch now has a trailer; and Pedro Almodóvar and Dee Rees are lining up new projects.

Feb 12, 2020 — If you were born in Mexico City in the second half of  the twentieth century, you grew up feeling that everything could come tumbling down in a matter of minutes. You grew up amid the reverberation of past earthquakes—all their...

Feb 11, 2020 — The universal success of Alfonso Cuarón’s Roma is undoubtedly due to a skill that the director has demonstrated over the course of several decades and many enduring pieces of work. But it is also a sign of our times. What...

Feb 11, 2020 — The most deeply personal film of Alfonso Cuarón’s career, Roma imbues the director’s own childhood memories with the epic sweep of history. But for all the technical virtuosity and monumental scale on display in its set pieces, the movie—which joins...

Feb 11, 2020 — How might four history-making Oscars impact movies from here on out?

The celebrated Italian auteur stopped by our closet last year while in town to present his mafia epic The Traitor.

Feb 10, 2020 — The ragman’s son became one of Hollywood’s brightest stars, working most memorably with Wilder, Minnelli, and Kubrick.

Feb 7, 2020 — Retrospectives of the German filmmaker’s work precede the release of I Was at Home, But . . . (2019)