The Criterion Collection
Essays
Oct 28, 2013 — A husband and wife in 1960s Milan are isolated from each other and displaced in the modern world in Michelangelo Antonioni’s tale of love and space.
Oct 25, 2013 — "I“m not acting,” stage star Myrtle Gordon (Gena Rowlands) tells her bemused director after a violent episode with her ghostly muse in Opening Night. That’s a loaded claim to be making in a movie that so conclusively smudges the line...
Oct 16, 2013 — Georges Franju deftly balances fantasy and realism, clinical detachment and operatic emotion, beauty and pain, all presided over by Edith Scob’s haunting, haunted eyes.
Features
Oct 4, 2013 — This fascinating first contact between Roberto Rossellini and Ingrid Bergman kicked off one of cinema’s greatest—and most controversial—love affairs.
Sep 26, 2013 — Roberto Rossellini officially left neorealism behind with his modern masterpiece, an intimate tale of marriage on the rocks.
Essays
Sep 24, 2013 — Marketed as a movie of volcanic passion, Roberto Rossellini’s first film with Ingrid Bergman is rather a pragmatic take on the negotiations of matrimony.
Sep 23, 2013 — The neorealist master and the Hollywood icon forged a brilliant artistic path together, despite the backlash their controversial romance generated.
Short Takes
Sep 17, 2013 — The author sheds some light on the fascinating life of the American scriptwriter behind Roberto Rossellini’s Paisan.
Sep 16, 2013 — Ingmar Bergman plumbs the depths of a fractured family and gives Ingrid Bergman a shocking star role.
Sep 9, 2013 — As outré as it is, the most subversive thing about this classic farce is its take on what’s normal.