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Moeko Fujii is a scholar and critic whose work has appeared in the New Yorker, Aperture, the New York Review of Books, and elsewhere. She writes a regular column on film for Orion magazine.

Michelle Parkerson is an award-winning filmmaker based in Washington, D.C., whose work has screened at the Sundance Film Festival, the Berlin Film Festival, and the American Film Institute. She has documented the lives of LGBTQ icon Audre Lorde (A Litany...

Mark Asch is the author of the New York Movies volume of the Close-Ups series of film books and a contributor to Film Comment, Sight and Sound, Reverse Shot, Filmmaker, Screen Slate, and other publications.

Patricia White’s books include Women’s Cinema, World Cinema; Uninvited: Classical Hollywood Cinema and Lesbian Representability; and, with Timothy Corrigan, The Film Experience. She is Centennial Professor of Film and Media Studies at Swarthmore College.

Chelsea Phillips-Carr is a film critic and editor based in Toronto.

Steve Massa is the author of Slapstick Divas: The Women of Silent Comedy and Lame Brains and Lunatics: The Good, The Bad, and The Forgotten of Silent Comedy. He has organized and curated comedy film programs for the Museum of...

Jonathan Murray is Senior Lecturer in Film and Visual Culture at Edinburgh College of Art, University of Edinburgh, and a contributing writer for Cineaste magazine. His books include Discomfort and Joy: The Cinema of Bill Forsyth (2011) and The New...

Elena Gorfinkel is a senior lecturer in film studies at King’s College London and the author of Lewd Looks: American Sexploitation Cinema in the 1960s. Her criticism appears in Sight & Sound, Art Monthly, Cinema Scope, and other publications.

Stephen Cone is a Chicago-based filmmaker whose films include Princess Cyd, Henry Gamble’s Birthday Party, and The Wise Kids.

April Wolfe is a film critic whose writing has appeared in the Village Voice, Rolling Stone, the Washington Post, Film Comment, and other publications. She hosts the film podcast Switchblade Sisters.