Peepli Live

Dec 12, 2013 — A beloved filmmaker in India, the Bengali director Ritwik Ghatak digs into his region’s traumatic history in this epic melodrama.

Dec 12, 2013 — Repertory PicksElia Kazan’s On the Waterfront is the kind of movie one might call the whole package: gripping storytelling, evocative cinematography that captures a sense of time and place, a sensational score, and, of course, amazing performances, topped by an...

Dec 11, 2013 — This political drama was made in Mexico at a revolutionary moment and represents an extraordinary confluence of international talent.

Dec 10, 2013 — In 1998, I interviewed Little Edie Beale, the surviving star of 1976’s Grey Gardens, one of the Maysles brothers’ numerous masterworks (Gimme Shelter, Meet Marlon Brando, and With Love from Truman are equal in technical and emotional innovation). Miss Beale,...

Dec 9, 2013 — The critic and WCP executive director offers a personal take on art cinema and a primer on the project’s scope and mission.

Dec 5, 2013 — Repertory PicksThe series Chris Marker: Guillaume-en-Égypte, currently running at the Harvard Film Archive in Cambridge, is a wide-ranging survey of the career of the brilliant cine-essayist and multimedia artist, who died last year at age ninety-one. Among the most politically...

Dec 3, 2013 — This scathing drama about a toxic society established Elio Petri as an important director of popular political entertainment in Italy.

Nov 19, 2013 — There are few people in the world we would rather hear talk about the beauty of Yasujiro Ozu’s cinema than Donald Richie. One of the world’s foremost scholars on Japanese film and culture, Richie, who died earlier this year, appears...

Nov 18, 2013 — When Tokyo Story was released in late 1953, Western audiences were just being exposed to Japanese cinema. Akira Kurosawa had made his breakthrough with Rashomon three years earlier, and Kenji Mizoguchi was moving to the forefront of the international festival...

Nov 11, 2013 — A boldly silent film in the talkie era, Charlie Chaplin’s masterpiece has a grace that has never been equaled.