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The New World

Oct 30, 2015 The following interview was originally published in the 2005 edition of filmmaker and writer Chris Rodley’s book Lynch on Lynch. The interviews included in the book were conducted by Rodley between 1993 and 2005. For Criterion’s release of Mulholland Dr.,...

Sep 14, 2015 In his latest column, Peter Cowie reflects on his friendship with our beloved cofounder.

Aug 31, 2015 “When you’re writing a screenplay, it’s like you’re dreaming the film for yourself again and again and again until it becomes almost like a memory before you make it,” says writer and actor Greta Gerwig in a new interview in...

Jul 13, 2015 “I think that in a few years, in ten, in twenty, or thirty years, we shall know whether Hiroshima mon amour was the most important film since the war, the first modern film of sound cinema.” That was Eric Rohmer,...

Mar 24, 2015 Words—they conceal and reveal so much about us, as Errol Morris’s elusive and brilliant first films attest.

Mar 11, 2015 More than thirty years after his death in 1977, Roberto Rossellini is remembered by your average film buff as the father of Italian neo­realism (Rome, Open City, 1945; Paisan, 1946; Germany Year Zero, 1948) and of actress and model Isabella...

Feb 24, 2015 Federico Fellini’s fragmentary and picturesque tale of death and debauchery in ancient Rome is a surreal take on reality.

Feb 20, 2015 In time for this year’s Academy Awards ceremony, we wanted to celebrate all the incredible women who have been nominated for best actress Oscars for their roles in Criterion titles. They range from the 1930s to the 2010s, and include...

Dec 10, 2014 Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.

Dec 3, 2014 “We were just in London, clubbing, all those things people did in the ’60s in the middle of London,” British actor Francesca Annis recalls, in an interview on the new Criterion release of Macbeth, of “crossing paths” with director Roman...

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