The Criterion Collection
The only female director of the French New Wave, Agnès Varda has been called both the movement’s mother and its grandmother.
Apr 17, 2012 — When it was first released in 1977, ¡Alambrista! depicted something previously unseen in American fiction films—the lives of undocumented Mexican immigrants from their point of view. Though writer-director-cinematographer Robert M. Young was not Latino and didn’t speak Spanish, his film convincingly...
Jun 10, 2011 — Bringing Junichiro Tanizaki’s sprawling, elegiac historical novel The Makioka Sisters (1948) to the screen would seem an undertaking tailor-made for Kon Ichikawa. The renowned writer’s work was familiar territory for the veteran director, who had adapted the quirky Tanizaki novella...
Nov 25, 2010 — Five Easy Pieces is not a statement about America but a closely observed report. Or, perhaps, a confession.
Cinema history is dotted with thunderous works of art that announced their makers’ brilliance right out of the gate.
These uncategorizable works blur the lines between fiction and documentary with panache.
May 20, 2010 — Driven to Destruction Nagisa Oshima was a destructive force in Japanese cinema—and he wouldn’t have had it any other way. Intent on exploding taboos and jabbing the eye of the status quo, he created films that leave us with a...
Short Takes
Mar 8, 2010 — Forty-seven years after Anna Karina communed with The Passion of Joan of Arc’s Maria Falconetti in Vivre sa vie, Carl Theodor Dreyer’s Saint Joan continues to inspire artists. According to a Pitchfork Media report, Will Gregory and Adrian Utley, members...
Short Takes
Feb 16, 2010 — It may be news to many, but in addition to creating such larger-than-life characters as The Silence of the Lambs’ Hannibal Lecter and Howards End’s Henry Wilcox (not to mention, once upon a time, the titular protagonist in James Ivory’s...
Short Takes
Feb 5, 2010 — Robert Altman: The Oral Biography (Knopf) begins with an epigram that pretty well sums up Altman’s attitude toward “truth” and “realism” in cinema and life. “I don’t think anybody remembers the truth, the facts,” the great filmmaker said. “You remember...