Midweek Update

The Daily

Dec 7, 2022 — The Sight and Sound poll calls for more deliberation and the best-of-2022 lists keep coming.

Nov 15, 2022 — A box-office success that buoyed Hong Kong’s beleaguered movie industry in the early 2000s, this suite of crime films combines narrative intricacy and moral complexity with an abundance of megastar charisma.

Nov 1, 2022 — In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.

Oct 18, 2022 — Drawing from Latin American folklore, Jayro Bustamente conjures an intimate, supernatural tale that engages with Guatemala’s history of violence.

Sep 28, 2022 — Sarah Maldoror’s only completed narrative feature tracks the Angolan struggle for independence from Portugal and reckons with the interlocking systems of colonialism, capitalism, and patriarchy.

Sep 27, 2022 — Darius Marder’s Oscar-nominated drama captures the isolation and despair of a man who suddenly goes deaf and struggles in vain to regain his former life.

September Books

The Daily

Sep 22, 2022 — This month we’re reading about Jean-Luc Godard, Dirk Bogarde, Michael K. Williams, a few new novels, and just the state of things in general.

Sep 16, 2022 — The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.

Sep 8, 2022 — All the Beauty and the Bloodshed is the only nonfiction film competing in Venice—and Werner Herzog and Mark Cousins remain as busy as ever.

Jul 28, 2022 — Directing the Monkees in Head and Jack Nicholson in Five Easy Pieces, Rafelson was a key figure of the New Hollywood.

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