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May 16, 2019 — All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.

May 15, 2019 — The star-studded zom-com has been met with a first round of mildly appreciative reviews.

May 15, 2019 — It may have taken nearly two decades after graduating from England’s National Film and Television School for Joanna Hogg to emerge as a feature filmmaker, but it was worth the wait. After making her thesis film, Caprice (starring a then-unknown...

May 14, 2019 — The seventy-second edition will present new work by some of the world’s most renowned filmmakers.

May 13, 2019 — Whether he was adapting Lillian Hellman or Stan Lee, Sargent excelled at locating the human heart beating at the center of the story.

May 13, 2019 — One Scene The Piano Teacher is one of my favorite films, and a rare novelistic adaptation that doesn’t suffer from comparison with its source material. This is especially impressive given how good a source it has: Elfriede Jelinek’s 1983 novel...

May 10, 2019 — This week has seen surveys of the careers of Abbas Kiarostami and screenwriter Jean-Claude Carrière and deep dives into milestone works by George Cukor and Andrei Tarkovsky.

May 10, 2019 — The latest updates from Cannes, the Berlinale, Il Cinema Ritrovato, and beyond.

May 10, 2019 — The Heiress, one of the most intense psychological dramas to issue from 1940s Hollywood, unfolds almost entirely under one roof: that of the well-appointed Manhattan town house where tremulous Catherine Sloper (an Oscar-winning Olivia de Havilland) lives with her domineering...

May 9, 2019 — Studio Visits You’d be hard-pressed to find someone more passionate about movie posters, not to mention gifted at making them, than Nashville-based artist and musician Sam Smith. A lifelong cinephile and devotee of design history—today he even cohosts a podcast...