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So This Is Love

Mar 19, 2021 As skillful at capturing people’s essences as she is at conveying the textures and patterns of haute couture, Brooklyn-based artist Lauren Tamaki has brightened up the pages of such publications as New York Times and the New Yorker with her...

Feb 23, 2021 Released in 1985, during the exuberant flowering of films by women brought on by second-wave feminism, Joyce Chopra’s Smooth Talk now feels less of those years than like a harbinger of the #MeToo movement, an early challenge to a cultural...

Jan 28, 2021 Channel Calendars We’re thrilled to be celebrating Black History Month on the Criterion Channel with a lineup that salutes African American filmmaking pioneers like Gordon Parks and Madeline Anderson, spotlights the brilliant career of actor and activist Ruby Dee, presents...

Sep 30, 2020 Martin Scorsese’s World Cinema Project No. 3 More than eight decades since its release, Dos monjes (1934) continues to invite reappraisals, as much for its expressionist style—exceptional within Mexican cinema—as for its nonlinear narrative and for the creative contributions of...

Mar 23, 2020 The new issue features interviews with Tsai Ming-liang and Heinz Emigholz; plus the latest on the crisis.

Dec 5, 2019 The year will begin with new films by Josephine Decker, Kirsten Johnson, Dee Rees, Sean Durkin, and Michael Almereyda.

Oct 29, 2019 The actor-turned-producer made Paramount a major player during the heyday of the New Hollywood.

Aug 20, 2019 With The Hired Hand, Fonda created a classic of the new era ushered in by Easy Rider.

May 2, 2019 “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...

Apr 30, 2019 With its fresh vision, and yes, box office success, Boyz n the Hood (1991) made Singleton a force to be reckoned with for nearly three decades.

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