The Criterion Collection
Features
Nov 21, 2024 — Dennis Hopper’s bleakly nihilistic drama struggled to find an audience after it premiered at the Cannes Film Festival in 1980, but time has revealed it to be one of the most hardcore films about disaffected youth ever made.
The Daily
Nov 19, 2024 — A pop star, psychics, and a punk-turned-priest are focus of this weekend’s series at the Museum of the Moving Image.
The Daily
Oct 2, 2024 — The singer and songwriter who rerouted Nashville’s course became an unlikely but winning movie star.
The Daily
Sep 24, 2024 — Films by Agnès Varda, Chantal Akerman, and Rungano Nyoni screen in the Metrograph series.
Essays
Sep 24, 2024 — A sceenwriter, novelist, and longtime friend of director Todd Solondz recalls the admiration he felt upon first seeing this audacious ensemble drama, which offers an unflinching, compassionate look at the pain and abjection of being human.
The Daily
Sep 16, 2024 — Ready or not, the win for Mike Flanagan’s Stephen King adaptation kicks off this year’s awards season.
The Daily
Aug 29, 2024 — Beetlejuice Beetlejuice has some critics rolling their eyes, while others embrace his unique and newly reinvigorated vision.
Aug 20, 2024 — In her formally daring debut feature, Martha Coolidge stages a confrontation with the subject of date rape that questions the kind of “closure” required in conventional storytelling.
The Daily
Aug 12, 2024 — Featuring a new restoration of The Spook Who Sat by the Door, the series includes films by Renoir, Tarkovsky, and Edward Yang.
The Daily
Jul 18, 2024 — Daniella Shreir, the translator of a collection of Duras’s writing on her films, has curated a comprehensive retrospective.