The Criterion Collection
The acclaimed filmmaking duo reminisce about getting their cinematic education while working in a video store, share how Touki bouki has inspired every film they’ve ever made, and select life-changing favorites by Barbara Kopple, Abbas Kiarostami, and Les Blank.
The cinematographer of Bound and The Matrix talks about the thrill of watching John Ford’s Stagecoach for the first time, praises Martin Scorsese’s love of music, and picks up a recommendation from his granddaughter—Nobuhiko Obayashi’s House.
The writer and director admires how filmmakers like Jacques Tati, Wes Anderson, and David Lynch sculpt their own universes, selects a Spike Lee double feature, and praises Víctor Erice’s films as some of the best in cinema history.
A titan of American independent cinema, the iconoclastic director has sustained an aesthetic of cool through irreverent dramas and deadpan comedies that subvert genre codes.
The writer, director, actor, and producer shares what Marlon Riggs’s work means to her as a Black queer filmmaker, praises Rainer Werner Fassbinder’s radical approach to melodrama, and spotlights Chantal Akerman, Agnès Varda, and other directors whose work she can’t...
The acclaimed actor shares his affection for the dark humor of The Cremator, credits Benicio del Toro with introducing him to the films of Kaneto Shindo, and praises Mexican-cinema classics like Canoa: A Shameful Memory and Amores perros.
In her raw, evocative dramas, this acclaimed French director has examined the effects of colonialism in Africa and the human struggle for intimacy in a violent and alienating world.
The musician and member of Portishead talks about the overwhelming experience of watching Antichrist, a score he cowrote for The Passion of Joan of Arc, and his memory of a BBC broadcast of Merry Christmas Mr. Lawrence.
An icon of the New German Cinema, the beloved director is a truly international auteur who has captured the spirit of the American road, the beauty of everyday life in Tokyo, and the vibrant musical heritage of Havana.
The comedian, actor, and director talks about loving the relatable weirdness of Grey Gardens and the compulsive passion of Crumb; praises Miranda July’s singular, offbeat voice; and shares how The 400 Blows (a Natasha Lyonne recommendation) evokes empathy for the...