The Criterion Collection
The Daily
Nov 10, 2021 — Over time, the former child star learned to love his work.
Sep 29, 2021 — Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.
Features
Jul 9, 2021 — A raucous, fast-talking diva, the actor had a remarkable ability to convey both glamour and silliness, a gift that made her the queen of screwball comedy before her untimely death in 1942.
The Daily
Jun 1, 2021 — Valeria Sarmiento and the Chilean production company Poetastros have launched a campaign to complete Raúl Ruiz’s Socialist Realism.
The Daily
May 28, 2021 — This week: Anarchy on screen, a pre-Code barroom brawl, an essay on Julie Dash, and conversations with Jia Zhangke and Sergei Loznitsa.
Features
Apr 21, 2021 — First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...
The Daily
Mar 29, 2021 — Filmmakers, programmers, and critics remember a man who “embodied the spirit of cinema as robustly as anyone ever has.”
The Daily
Mar 16, 2021 — This year’s virtual edition offers seventy-five features over five days.
Mar 16, 2021 — In Céline and Julie Go Boating (1974), play is a life force, pleasure a form of liberation. Drawing inspiration from cartoons, Hollywood musicals, and the vaudeville shenanigans of early screen comedy in the vein of Buster Keaton and the Marx...