MoMA’s Back

The Daily

Oct 21, 2019 Newly renovated and expanded, New York’s Museum of Modern Art integrates the story of cinema into its history of modernism.

Oct 9, 2019 This year’s program has taken NYFF attendees to Soviet Russia, Lebanon, Chile, back home to the Big Apple, and behind bars.

London 2019

The Daily

Oct 2, 2019 Armando Iannucci’s The Personal History of David Copperfield opens this year’s bounteous edition.

Sep 27, 2019 Some of the top titles premiering in Berlin, Locarno, and Venice this year are featured in the New York Film Festival’s Main Slate.

Sep 25, 2019 Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.

Sep 20, 2019 In the winter of 1981, when I was young, I fell madly in love with a handsome poet. About two weeks into our affaire de cœur, we went to the Thalia on the Upper West Side of Manhattan to see...

Sep 17, 2019 Fusing the melodrama of Douglas Sirk and the ballyhoo of William Castle, John Waters’ sixth feature, Polyester (1981), was a departure from the scrofulous 16 mm mode of production he had made his cult name plying to midnight-movie crowds in...

Sep 10, 2019 In this landmark melodrama, director Ritwik Ghatak channeled his grief over the destruction of his beloved homeland, Bengal, in the wake of the Partition of India.

Sirk in the Sun

Features

Aug 21, 2019 One Scene One of my absolute favorite quotes from Douglas Sirk—and he has a million of ’em—was made in reference to Magnificent Obsession. “It is a combination of kitsch and craziness and trashiness,” he said (this isn’t the quote quite...

Aug 20, 2019 With The Hired Hand, Fonda created a classic of the new era ushered in by Easy Rider.

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