The Wind

Apr 23, 2009 — This interview, conducted by Michael Henry, first appeared in the May 1978 issue of Positif.

Jan 21, 2008 — In September 1997, I saw Agnès Varda introduce a brand-new 35 mm print of her first feature film, La Pointe Courte (made in 1954), to an admiring audience at Yale University. More astonishing than the luminous black-and-white images was Varda’s...

Jul 24, 2006 — Powell and Pressberger’s poignant work captures the fulfillment and absolute sameness of the everyday and the sacred.

Aug 18, 2003 — The two versions of Vittorio De Sica’s neorealist romance offer case studies in Hollywood and European sensibilities as they existed in the early 1950s.

Feb 14, 2002 — Robert Bresson’s second feature is fixed in history as one of the movies that heralded an austere, modernistic way of seeing and feeling.

Feb 11, 2002 — The phenomenon of old age wherein childhood memories return with ever-increasing clarity while great stretches of the prime of life vanish into obscurity is the nub of Ingmar Bergman’s drama.

Jun 27, 1995 — Orson Welles’s Shakespeare adaptation was his first first fully independent feature, made without the resources of Hollywood.

Oct 21, 1991 — Written under the German occupation of France, and produced with the sanction of occupation censors, Marcel Carné’s masterpiece began shooting on August 17, 1943, at the Victorine Studios in Nice.

Jan 7, 1991 — Vittorio de Sica remembers the inspirations behind and the making of his classic film.

Jul 1, 1990 — Molded by Alfred Hitchcock’s direction and David O. Selznick’s editing, the film plays upon the conventions of the Gothic melodrama without ever losing its characters’ humanity.