The Other

May 24, 2024 — During a period of seismic change in U.S. history, the Hollywood studio system began to fracture beyond repair, resulting in a new freedom in how movies explored themes of violence, psychosis, and social breakdown.

May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.

May 2, 2024 — The series spotlights rarely seen films by Shirley Clarke, Marie Menken, Bette Gordon, Jack Smith, and dozens more.

Apr 29, 2024 — From After Hours to Mikey and Nicky to Collateral, movies centered on the twists and turns of a single night give filmmakers the chance to boldly experiment with cinematic time and space.

Apr 24, 2024 — This month brings a collection of Chantal Akerman’s writing, analyses of Ozu and Kubrick, and list of the best Hollywood books ever.

Apr 23, 2024 — With its delirious images and audaciously poetic style, Soviet filmmaker Mikhail Kalatozov’s hymn to revolution moves beyond ordinary logic to capture the mysterious beauty of collective utopia.

Apr 10, 2024 — Heading into its final weekend, the festival presents new work from Singapore, Serbia, Brazil, China, Iran, Georgia, and Taiwan.

Apr 10, 2024 — Oksana Karpovych’s second feature juxtaposes images of a ravaged Ukraine with the voices of Russian soldiers.

Apr 9, 2024 — This year’s edition features a rediscovered short starring Clara Bow, a precursor to the folk horror craze, and a whole lot of gags from Harold Lloyd.

Apr 5, 2024 — Léa Seydoux is the star of the week, and we’re also reading about Marguerite Duras, Juraj Herz, and Kinuyo Tanaka.