The Criterion Collection
Mar 23, 2010 — In myriad inventive ways, Terrence Malick’s philosophical drama shows us how nature and culture are always intertwined.
Essays
Feb 9, 2010 — You can’t keep a good woman, or a great movie about a good woman, down. By all accounts, goodness in the real Lola Montez reflected the vagaries of character, not talent. She was, as Cosmo Brown says of Lina Lamont...
Essays
Nov 22, 2009 — “The most concrete emblem of every economic cycle is the dump,” writes Naples native and best-selling Italian muckraker Roberto Saviano somewhere near the conclusion of his extraordinary 2006 “nonfiction novel” Gomorrah, a seethingly cogent and literarily constructed indictment of the...
Apr 21, 2008 — Juan Antonio Bardem combines neorealism with noir thriller to create a new dialect that would forge a new Spanish cinematic language.
Essays
Jul 11, 2005 — Luchino Visconti’s adaptation of Fyodor Dostoyevsky’s short story balances realism and fantasy.
Essays
May 15, 2000 — Horror movies take place in their own territory. The trick is to get us there. It doesn’t matter whether they start with fantastic premises and gothic settings, or with ordinary neighborhoods and daily experience, because the places and assumptions change...
The Daily
May 29, 2026 — We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.
On the Channel
Jun 17, 2025 — This July, find love under the sun with our Summer Romances collection and flirt with the seductive dangers of Miami’s most thrilling neonoirs.
On the Channel
Sep 30, 2020 — Genre fans rejoice! October kicks off with a ’70s Horror series and the head-spinningly eclectic films of the New Korean Cinema.