The Lost Daughter

Jan 29, 2024 — Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.

Dec 12, 2023 — Deep Dives Beloved for his poetic observations of domestic life and intergenerational conflict, Yasujiro Ozu is an icon of international art-house cinema whose patient, exquisitely restrained style has influenced filmmakers around the world. But even though he directed more than...

Oct 17, 2023 — MoMA will screen two films by one of Iran’s greatest directors—who, along with his wife, has been murdered.

Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Apr 17, 2018 — The past couple of days have seen lineup announcements from Critics’ Week and Directors’ Fortnight, and of course, last week, the main event, the Cannes Film Festival presented the bulk of its lineup for the seventy-first edition running from May...

Aug 8, 2017 — In Jan Speckenbach’s “intriguing, sincere, if somewhat overreaching sophomore feature,” Freedom, “Nora (Johanna Wokalek) wanders past Breugel’s Tower of Babel painting in the Kunsthistorisches Museum in Vienna, while in Berlin, unaware of her whereabouts, her lawyer husband Philip (a sympathetic...

Jul 24, 2017 — On Friday, we posted an entry on all that’s known—and speculated—about the seventy-fourth edition of the the Venice International Film Festival running from August 30 through September 9. Over the weekend the festival filled out the juries. Annette Bening will...

May 23, 2017 — In one of the first major films to confront the contemporary refugee crisis in Europe, Jacques Audiard brings a genre-busting approach to an explosive subject.

Feb 5, 2017 — Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.

Jun 1, 2015 — A legionnaire turned fruit seller misses out on Germany’s economic miracle in Rainer Werner Fassbinder’s breakthrough melodrama.