The Hill

Aug 2, 2017 — “Forty years ago,” begins Earl Douglas at the Interrobang, “the country was still reeling from Vietnam and Watergate, Elvis died, punk and disco took full flight, and New York City dealt with record heat, a blackout, a financial crisis and...

Jul 15, 2017 — “The film’s tag line was ‘They share the same body . . . but hate each other’s guts!’ I was told that the timing was a coincidence, but even before the film began it was clear that this was a...

Jun 25, 2017 — New York. Edgar Wright Presents Heist Society is a BAMcinématek series running from Tuesday through July 23 and, over at the BAM blog, Wright’s got ultra-brief introductions to each and every one of the twenty-two films—including Walter Hill’s The Driver...

May 25, 2017 — “Sergei Loznitsa’s documentaries are conceived as silent commentary,” begins Jay Weissberg in Variety. “His rigorously edited, coolly composed shots contain all the information needed for viewers to feel the weight of his argument. By contrast, his fiction films (My Joy,...

Aug 18, 2016 — Beloved Hollywood veteran Arthur Hiller passed away yesterday at the age of ninety-two. In a career that spanned five decades and more than thirty films, he demonstrated remarkable versatility, with credits ranging from Neil Simon comedies (The Out-of-Towners, Plaza Suite)...

Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.

Sep 25, 2012 — No mere jigsaw movie, David Fincher’s thriller is also a nuanced character study, a satire of corporate culture, and a film about filmmaking.

Nov 28, 2010 — “What we need are good old American—and that’s not to be confused with European—Art Films.” So declared the then twenty-nine-year-old beatnik Method actor Dennis Hopper in an unpublished 1965 manifesto. “The whole damn country’s one big real place to utilize...

Mar 16, 2009 — This long-underappreciated giant of Japanese cinema was an innovative visual stylist and a born storyteller who preferred to make films about outsiders.

Feb 23, 2004 — With his drama about a Sicilian bandit, Francesco Rosi developed the style and method that would make him, during the sixties and seventies, the greatest political filmmaker of his time.