The Criterion Collection
Feb 11, 2017 — Ermanno Olmi captures the dignity of work in this painterly vision of late nineteenth-century rural Italy.
Nov 25, 2016 — In his deeply personal third feature, Noah Baumbach charts a family’s dissolution against the backdrop of 1980s literary Brooklyn.
Nov 8, 2016 — This adaptation of one of the most influential series in manga history is a delirious mix of breathtaking swordplay and pop vulgarity.
Sep 28, 2016 — “King of the Nudies” Russ Meyer injects his transgressive exuberance into this big-studio send-up of Hollywood debauchery.
Sep 28, 2016 — The salacious sixties phenomenon of the Dirty Book made its way to the big screen in this adaptation of Jacqueline Susann’s best seller.
Features
Jun 29, 2016 — In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.
Interviews
Jun 3, 2016 — During the second incarnation of this festival dedicated to movies preserved on nitrate film, Jared Case, the festival’s executive director, talks about his work bringing the Nitrate Picture Show to life, selecting this year’s films, and why nitrate remains a...
Jun 2, 2016 — Kings of the Road is the most “roadish” of Wenders’s road movies, a film about travel as a form of escape for two German men and the transitory bond they form along the way.
Essays
May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.
Apr 29, 2016 — The writer-director of such witty cultural sendups as Metropolitan, Barcelona, and The Last Days of Disco talks about that early-career trilogy; his new Jane Austen adaptation, Love and Friendship; and the filmmaker’s work of capturing the past.