The Criterion Collection
Apr 14, 2020 — Whether or not you believe it is the greatest year of all for the Hollywood studio system, the wonder of 1939 is the sheer depth of its bench. On a ten-movie best-picture ballot, the Oscars found no room to nominate...
May 21, 2025 — The exiled American director of Try and Get Me! and Hell Drivers depicted crime and violence as the inevitable results of capitalist competition.
The Daily
May 7, 2020 — A new memoir occasions a couple of profiles in which the actor spins a few tales many of us may find challenging to deal with.
Apr 25, 2011 — In 1981, the legendary critic went all out for Blow Out, which she thought was De Palma's most mature work to date.
Essays
Jul 14, 2008 — Linguistic cosmopolitanism in the Babel-like world of commerce and culture is one of Jacques Tati’s several satirical targets.
Essays
Apr 29, 2025 — In this exuberant and moving portrait of a Brooklyn sex worker, Sean Baker draws on themes he has explored throughout his career, depicting the workaday grind of twenty-first-century American existence with biting humor and clear-eyed humanity.
The Daily
Mar 11, 2024 — After scoring eight nominations over more than twenty years, Christopher Nolan is finally taking home a couple of Oscars.
Dec 4, 2019 — Songbook Midway through Andrea Arnold’s Fish Tank (2009), the plot pivots on a song. “You’ve got some weird shit in here,” says Joanne (Kierston Wareing,), riffling through the CDs in her new boyfriend’s car. It’s the morning after a boozy...
May 12, 2016 — When director Amy Heckerling visited Criterion, she reflected on her days as a struggling filmmaker, the allure and disappointment of moving to the West Coast, and her love for old-Hollywood actors.
Apr 25, 2023 — In his second Palme d’Or–winning film, Ruben Östlund uses familiar reality-television tropes to stage a deeply unnerving spectacle of obscene wealth and class outrage.