The Criterion Collection
May 10, 2022 — Joseph Losey’s sumptuous portrait of Nazi-occupied Paris sees an icy Alain Delon as an art dealer on a Kafkaesque quest for identity.
Mar 1, 2022 — The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...
Feb 9, 2022 — The Learning Tree may have been Gordon Parks’s first feature film as a director, but by the time filming began in the fall of 1968, Parks already had almost three decades of experience behind a camera. In 1940, the self-taught...
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Jan 18, 2022 — MoMA’s festival of film preservation presents Beat poets, crown jewels, a lonely Hungarian, and a Senegalese bad boy.
Oct 27, 2021 — Stephen Winter’s subversive, imaginative work simultaneously celebrates Black queer culture and fiercely threatens cinematic and societal conventions. In conversation as in his work, the director, producer, and writer deftly balances a warm wit with strikingly incisive honesty. Winter has played...
Oct 15, 2021 — There is a gloriously unaffected vibe about Gina Prince-Bythewood. Cerebral and sublime, casually beautiful and laser-focused, she has written and directed impressive television and film for the past twenty-plus years with equal parts rigor and joy. And she has achieved...
Sep 28, 2021 — Melvin Van Peebles takes aim at Hollywood’s way of representing race in this blistering satire about a white man who wakes up one morning to discover that he has turned Black overnight.
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Aug 2, 2021 — Here’s what’s next for Werner Herzog, Wim Wenders, and Dominga Sotomayor, plus updates on forthcoming films from Jean-Luc Godard and Claire Denis.
The Daily
Jul 30, 2021 — First: conscious neglect and budget cuts are threatening cinema’s legacy. Then: this week’s highlights.
The Daily
Jul 22, 2021 — Quentin Tarantino’s first novel and studies of Ophuls and Melville are among this month’s new and noteworthy titles.