Street Without End

Jan 24, 2012 — From the scary thuds and mysterious roars that accompany the no-frills titles to the bizarrely poignant final image of the monster, alone at the bottom of the ocean, Ishiro Honda’s Godzilla is all business and pure dream.

Jan 18, 2012 — Poto and Cabengo: Three-Part Harmony Jean-Pierre Gorin’s three Southern California movies are so militantly unclassifiable that terms like documentary or essay film seem as hopelessly out of sync with the recalcitrant and frequently exhilarating works themselves as a Marxist harangue in...

Jan 17, 2012 — At once a political epic and a radical gesture in personal filmmaking, Steven Soderbergh’s Traffic is an unexpected, unlikely triumph. It was a film that Hollywood didn’t want to make—every studio in town turned it down—that went on to secure...

Dec 6, 2011 — Ernst Lubitsch’s Design for Living (1933) is what sexy should be—delightful, romantic, agonizing ecstasy. And it’s not just sexy but also revolutionary, daring, sweet, sour, cynical, carefree, poignant, and so far ahead of its time that one could cite it...

Aug 30, 2011 — “It is much less a film than it is myself,” Jean Cocteau wrote to a friend at the time he was making Orpheus (1950), “a kind of projection of the things that are important to me.” As with many of...

Aug 9, 2011 — Gillo Pontecorvo’s incendiary epic commemorates the popular uprising that had succeeded in ousting the French from Algeria in July 1962.

Jul 26, 2011 — To a secular eye, Jean-Pierre Melville’s sixth feature film, Léon Morin, Priest (1961), is about almost anything except religion: the deleterious effects of sexual repression, the moral bleariness of wartime and life under occupation, the harsh inflections of history in...

Jul 21, 2011 — Performances When people talk about Mike Leigh’s Naked, the conversation is inevitably focused on David Thewlis’s nerve-shredding, tour de force central performance as the callous drifter Johnny, who slices through life like a straight razor. Yet consider how impossible his...

May 24, 2011 — In 1938, Charles Chaplin deposited with the Library of Congress a script for a film to be called The Dictator, and told the press it was a project in which he would play a double role. He clearly had Hitler...

Apr 25, 2011 — Brian De Palma brought hip, freewheeling funkiness to the American film renaissance of the late 1960s and early 1970s. Wised-up, cinema-savvy audiences across the country knew to seek out his movies for their scruffy wit, showmanship, and aesthetic innovation, not...