The Criterion Collection
Feb 28, 2022 — Ulysses Jenkins is an artist of extremes, an innovator who has probed the limits of a wide range of aesthetic modes for over five decades. Though he’s best known for his video art, a medium whose conventions he has been...
Feb 22, 2022 — The fourth feature by the Hong Kong filmmaker Ann Hui devastatingly lays bare the conditions that spurred hundreds of thousands of Vietnamese to flee after the fall of Saigon.
Feb 17, 2022 — Here’s a sampling of early critical response to this year’s winners.
Feb 11, 2022 — The director discusses the making of his 1979 cult road movie, Radio On, which is now streaming exclusively on the Criterion Channel, and the influence of New German Cinema on his visual style.
Feb 8, 2022 — A Prohibition-era gangster saga, the Coen brothers’ third feature is an enigmatic fable of violence, loyalty, and existential unease.
The Daily
Feb 4, 2022 — This week: Céline Sciamma, Julia Ducournau, Jane Campion, Mahamat-Saleh Haroun, and Joachim Trier and Renate Reinsve.
Feb 2, 2022 — Released in 1972, Perry Henzell’s thrilling drama The Harder They Come, starring real-life reggae icon Jimmy Cliff as singer-turned-outlaw Ivanhoe Martin, was among the first films to prominently feature reggae music both as subject matter and on its soundtrack. The...
The Daily
Jan 31, 2022 — What have the critics been saying about this year’s winners?
Jan 25, 2022 — By repeatedly staging the death of the filmmaker’s father with tragicomic flair, Kirsten Johnson’s hybrid documentary grapples with the realities of dementia and finds grace.
On the Channel
Jan 1, 2022 — Ring in the new year with the French New Wave, Joseph L. Mankiewicz, and a look back at the 1992 Sundance Film Festival.