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Remember Me, My Love

Apr 27, 2022 In his uncompromising chronicles of modern Japanese society, the celebrated filmmaker shows a deep understanding of both larger-than-life individuals and collectives of ordinary citizens.

Remarkable Women

The Daily

Apr 15, 2022 This week we’re reading interviews with Mira Nair and Jane Schoenbrun, profiles of Viola Davis and Maggie Cheung, and an essay on Joan Micklin Silver.

Jan 13, 2022 Yes, he opened doors, but he also brought a singular presence to American cinema.

Jan 10, 2022 The writer and director was on top of the world before the going got tough.

Nov 17, 2021 Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...

Oct 13, 2021 When I was growing up in the 1970s, the Black Panther Party’s trademark Afros and black leather jackets were a familiar sight. But it wasn’t until I began studying the Black Panthers in my late teens that I became familiar with...

Jul 23, 2021 Deep Dives In later years, Buster Keaton referred to his signing of a contract with MGM as “the worst mistake of my career.” In 1928 it was purely a business decision. The last few films he had made for his own...

Mar 30, 2021 Mike Leigh’s midcareer masterpiece is one of the finest examples of his ability to construct riveting drama from ordinary life.

Feb 23, 2021 Released in 1985, during the exuberant flowering of films by women brought on by second-wave feminism, Joyce Chopra’s Smooth Talk now feels less of those years than like a harbinger of the #MeToo movement, an early challenge to a cultural...

Nov 19, 2020 One Scene Acutely attuned to the drama of intimate relationships and interactions, writer-director-producer Sean Durkin mines their dynamics for his quietly simmering character studies. Best known for his feature debut, Martha Macy May Marlene, which premiered at Sundance in 2011 and...

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