Not One and Not Two

Oct 2, 2018 — The past weighs heavily on the present in Long Day’s Journey into Night, Ash Is Purest White, and A Family Tour.

Aug 13, 2018 — From Jeremy Irons in Dead Ringers to Kazuo Hasegawa in An Actor’s Revenge, performers who multitask as several characters in a single film tap into the essential uncanniness of cinema itself.

Aug 24, 2017 — Cineaste has posted selections from its fiftieth anniversary issue, along with a round of web exclusives. Louis Menashe, professor emeritus at Polytechnic Institute of New York University and author of Moscow Believes in Tears: Russians and Their Movies, tells the...

Aug 21, 2017 — When Jonas Mekas and his brother Adolfas fled Lithuania in 1944 only to land in a Nazi forced-labor camp, Jonas began to keep a diary. Entries from that diary are gathered in I Had Nowhere to Go, out now from...

Jun 21, 2017 — Those lists of twenty-five best films of the twenty-first century (so far) keep coming, and J. Hoberman’s now posted his, too. He’s customized the rules somewhat, and we can be glad: “My single ‘best’ film-object”—Christian Marclay’s The Clock (2010)—“is followed...

Jan 16, 2017 — Jack Garfein’s no-holds-barred account of sexual assault and trauma captures the volatile sensibility of the Actors Studio.

Aug 23, 2016 — Tony Richardson’s era-defining exploration of sexuality, race, and working-class life brought a uniquely female perspective to England’s Free Cinema movement.

Jul 12, 2016 — Herk Harvey’s influential, low-budget horror classic Carnival of Souls is an eerie exploration of the mutability of place and the purgatorial state of dreaming.

May 26, 2016 — During the conductor and composer’s visit—a day after he’d led the New York Philharmonic in a live orchestral performance of the score to City Lights—we talked about his love for early cinema, the delicate process of restoring Chaplin’s music, and...

Apr 4, 2016 — Ray Dolby did not match the conventional image of an eccentric inventor, nor that of a business mogul. But his name now represents a benchmark by which the recording of sound and its playback on disc and in movie theaters...