Love, Lies

Mar 9, 2020 — “My objective is to create my own world, and these images which we create mean nothing more than the images which they are.” Andrei Tarkovsky More than three decades after his passing, the films of Andrei Tarkovsky retain their ability...

Feb 27, 2020 — Hong Sang-soo’s The Woman Who Ran and Philippe Garrel’s The Salt of Tears premiere in the festival’s main competition.

Feb 24, 2020 — The German director reunites with Transit’s Paula Beer and Franz Rogowski for his Berlinale competition entry.

Feb 21, 2020 — Songbook “In an instant, I remembered everything.” The Cure, “The Walk” It’s the mid-1980s, and a student in a black leather jacket walks down the hall of Polytechnic of North London. Her hair is dyed a shocking orange, maybe to...

Feb 3, 2020 — Nearly half of the awards presented over the weekend went to female filmmakers.

Jan 28, 2020 — Motherhood is a recurring subject in the films of Pedro Almodóvar. The mothers in his movies are fierce, passionate, and resourceful—often in varying combinations, and to varying extremes. In Almodóvar’s darkly satirical fourth feature, What Have I Done to Deserve...

Dec 20, 2019 — This week we’re spotlighting directors’ and writers’ appreciations of other directors and writers, plus Céline Sciamma and Agnès Varda.

Dec 12, 2019 — The National Film Registry adds twenty-five titles, Film Comment lists the best films of 2019, and Vulture critics rank 5,279 movies made in the 2010s.

Nov 26, 2019 — A smart and lively adaptation of a 150-year-old classic is warmly greeted in the first round of reviews.

Nov 15, 2019 — It’s a strange feeling: adoring cinema while at the same time always sensing that it’s not made for you. This is how I felt growing up, at least. I came of age watching movies, crushing on them so hard that...