The Criterion Collection
Features
Sep 22, 2021 — Writer-director John Huston blasted the fusty pieties that pervaded big-studio filmmaking in the post-Code era, whether as the progenitor of film noir with The Maltese Falcon (1941) or the brainy daredevil who threaded critiques of frontier capitalism, gold lust, and...
Essays
Sep 21, 2021 — Johnnie To pays homage to Akira Kurosawa in this martial arts drama about the virtue of struggle and self-improvement.
The Daily
Aug 17, 2021 — This month we’re reading about Hollywood memoirs, cultural histories, and the revived debate over the screenplay for Last Year at Marienbad.
On the Channel
Aug 8, 2021 — This month on the Channel, dive into the films of John Huston, Jean Harlow, Josephine Baker, and other cinematic icons.
The Daily
Aug 6, 2021 — Conversations with Agnès Godard and Brian De Palma and tributes to Chris Marker and Menelik Shabazz are among this week’s highlights.
Jul 23, 2021 — Deep Dives In later years, Buster Keaton referred to his signing of a contract with MGM as “the worst mistake of my career.” In 1928 it was purely a business decision. The last few films he had made for his own...
Features
Jul 7, 2021 — In the 1990s, Hong Kong was home to a staggering number of the most gifted and charismatic actors in the world. It’s impossible to imagine the films of Wong Kar Wai—or the global art-house phenomenon they generated—without these extraordinary performers;...
Essays
Jun 29, 2021 — In Dee Rees’s ambitious and lyrical debut, the inner life of a queer Black teenager and poet is summoned in all its nuances and contradictions.
The Daily
Jun 28, 2021 — The new issue features in-depth writing on work by Radu Jude and Ryusuke Hamaguchi and tributes to Bertrand Tavernier and Monte Hellman.
Apr 9, 2021 — Uncovering “The Naked City,” Bruce Goldstein’s scintillating chronicle of The Naked City’s groundbreaking New York location shoot, is more than the best “where-they-filmed-it” doc ever made. As Goldstein wittily traces director Jules Dassin’s Gotham roots and influences, this twenty-three-minute documentary—now...