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Hands on a Hardbody: The Documentary

Cannes Openers

The Daily

May 14, 2026 Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.

A Noir-Tinged Week

The Daily

Aug 13, 2021 This week we’re reading about the first and second waves of noir and taking a good look at a smartly dressed man.

Mar 17, 2020 The economic impact of the coronavirus crisis is immediate and harsh, but the lessons to be learned have been there for the taking for decades.

Sep 17, 2024 A vision of late-1970s London that foreshadows the political volatility of the Margaret Thatcher era, this gangster saga stars an unforgettably tempestuous Bob Hoskins as a little Englander with big dreams.

May 21, 2024 The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.

Aug 24, 2020 “Temporal pincers” aside, this two-and-a-half-hour puzzler may be easier to follow than you might expect.

Apr 21, 2026 It’s all a bit confusing. Point Blank is based on a novel called The Hunter by Richard Stark, one of several pseudonyms adopted by Donald E. Westlake. The book was republished as Payback in 1999 to tie in with a...

Oct 6, 2007 In Gus Van Sant’s first feature, gayness—blind, unembarrassed homosexual lust—is the narrative’s driving force.

Feb 11, 2002 The phenomenon of old age wherein childhood memories return with ever-increasing clarity while great stretches of the prime of life vanish into obscurity is the nub of Ingmar Bergman’s drama.

High and Low

Essays

Oct 12, 1998 Are there cultural purists still remaining who would argue that the “Westernized” title of Akira Kurosawa’s 1963 masterpiece—High and Low—throws polluted water on the cosmological fire of its given name: Tengoku to jigoku—literally, Heaven and Hell?Kurosawa’s once insisted-upon reputation as...

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