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Dream Street

Mar 29, 2022 About half an hour into love jones, Theodore Witcher’s romance from 1997 starring Larenz Tate and Nia Long, the two main characters amble along a Chicago block as raindrops fall, soft but insistent. The colors are warm, naturalistic—browns, mauves, and...

Perceptive Splits

The Daily

Mar 18, 2022 Ukrainian cinema, suspense vs. dread, and the opposite of synesthesia are on our minds this week.

Mar 4, 2022 Freud and Jung make surprise appearances in this week’s roundup.

Mar 1, 2022 The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...

Feb 16, 2022 Among the notable titles competing this year are new films from Sho Miyake, Gastón Solnicki, and Ashley McKenzie.

Jul 23, 2021 This week’s highlights take us to Nigeria, Egypt, Sardinia, and Japan.

Jul 20, 2021 Pedro Almodóvar will open Venice, and Toronto will bring several Cannes favorites to North America.

Mar 29, 2021 Channel Calendars Next month, the Criterion Channel ups the ante with a collection of some of the greatest films ever made about the pulse-racing highs and gutter-dwelling lows of gambling. We’re also dealing out the Marx Brothers’ anarchic comedies, sublime...

Mar 16, 2021 In Céline and Julie Go Boating (1974), play is a life force, pleasure a form of liberation. Drawing inspiration from cartoons, Hollywood musicals, and the vaudeville shenanigans of early screen comedy in the vein of Buster Keaton and the Marx...

Mar 5, 2021 Here’s an overview of what critics have been saying about this year’s winners of the Berlinale’s top awards.

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