The Criterion Collection
Mar 29, 2022 — About half an hour into love jones, Theodore Witcher’s romance from 1997 starring Larenz Tate and Nia Long, the two main characters amble along a Chicago block as raindrops fall, soft but insistent. The colors are warm, naturalistic—browns, mauves, and...
The Daily
Mar 18, 2022 — Ukrainian cinema, suspense vs. dread, and the opposite of synesthesia are on our minds this week.
The Daily
Mar 4, 2022 — Freud and Jung make surprise appearances in this week’s roundup.
Mar 1, 2022 — The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...
The Daily
Feb 16, 2022 — Among the notable titles competing this year are new films from Sho Miyake, Gastón Solnicki, and Ashley McKenzie.
The Daily
Jul 23, 2021 — This week’s highlights take us to Nigeria, Egypt, Sardinia, and Japan.
Jul 20, 2021 — Pedro Almodóvar will open Venice, and Toronto will bring several Cannes favorites to North America.
On the Channel
Mar 29, 2021 — Channel Calendars Next month, the Criterion Channel ups the ante with a collection of some of the greatest films ever made about the pulse-racing highs and gutter-dwelling lows of gambling. We’re also dealing out the Marx Brothers’ anarchic comedies, sublime...
Mar 16, 2021 — In Céline and Julie Go Boating (1974), play is a life force, pleasure a form of liberation. Drawing inspiration from cartoons, Hollywood musicals, and the vaudeville shenanigans of early screen comedy in the vein of Buster Keaton and the Marx...
The Daily
Mar 5, 2021 — Here’s an overview of what critics have been saying about this year’s winners of the Berlinale’s top awards.