Caswallon Trilogy

Jul 26, 2019 — The late Iranian master takes the spotlight in a magisterial retrospective—the most comprehensive survey of his career ever mounted—opening today at New York’s IFC Center.

Jul 25, 2019 — My first three films—Angela, Personal Velocity, and The Ballad of Jack and Rose—are all mysteries of female identity, how it can be warped, destroyed, or saved, particularly in the context of family and sexual love. These films are highly charged...

Jul 22, 2019 — The new book is the perfect supplement to a retrospective that begins touring the country on Friday.

Jul 22, 2019 — As the Provençal baker at the heart of Marcel Pagnol’s wise, warm 1938 comedy The Baker’s Wife, French star Raimu moves effortlessly between comic exaggeration and touching subtlety, creating a protagonist as lovably dignified as he is incorrigibly flawed. The...

Jul 18, 2019 — The director’s first film made outside of Japan stars Catherine Deneuve, Juliette Binoche, Ethan Hawke, and Ludivine Sagnier.

Jul 18, 2019 — With its picturesque Provençal village, florid theatrical dialogue, and cast of familiar southern-French actors, dominated by the formidable Raimu, The Baker’s Wife is classic Marcel Pagnol territory. In 1938, when the film was released, the feted author and playwright was...

Jul 17, 2019 — The program of more than three hundred films includes new work by Pedro Costa, Koji Fukada, and Jeanne Balibar.

Jul 16, 2019 — When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...

Jul 3, 2019 — Punk has been tamed, punk has been neutered, punk has been domesticated. The album The Stooges is fifty years old this August, and the music of omnidirectional bile and antiauthoritarianism that it anticipated has been museumified, the subject of a...

Jun 4, 2019 — Before The Dead Don’t Die opens in theaters, two series offer crash courses on a singular oeuvre.