The Criterion Collection
Sep 3, 2017 — “With writer-director James Toback, you never know quite what you’re going to get, quality-wise,” writes Glenn Kenny at RogerEbert.com. “What you do know you’re going to get is something very indicative of the personality of James Toback—defiant, searching, self-indulgent, absurdist,...
Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.
Aug 17, 2009 — Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles is Chantal Akerman’s masterpiece, a mesmerizing study of stasis and containment, time and domestic anxiety. Stretching its title character’s daily household routine in long, stark takes, Akerman’s film simultaneously allows viewers to...
Jan 15, 2007 — Allison Anders, Dean Lent and Kurt Voss’s influential indie paints a compelling picture of the Los Angeles punk-rock scene of the 1980s: what it was like on the inside—and what it was like inside the musicians’ heads.
Apr 24, 2006 — This influential crime thriller, designed purely as a genre exercise, is the first in the long series of anomalies that was Louis Malle’s career.
May 19, 2026 — Elevator doors open onto a warehouse floor bathed in red light, high above downtown Manhattan in early May 2024. Exposed concrete and visible ductwork frame a room where artists in green aprons, cosplaying as waiters, circulate among guests in suits...
The Daily
Apr 7, 2023 — Along with the new Cinema Scope, we’re reading Raúl Ruiz’s diaries and conversations with Agnès Godard and Gregg Araki.
Apr 26, 2022 — In the opening moments of Arie and Chuko Esiri’s Eyimofe (This Is My Desire) (2020), we first hear—the ceaseless hum of machines at work—and then see: a jumble of multicolored wires. The 16 mm film image is grainy, trembling ever...
Feb 15, 2022 — Playful irreverence gives way to tragedy and transcendence in Leo McCarey’s 1939 masterwork, one of the defining romances of the Hollywood studio era.