The Criterion Collection
Nov 1, 2022 — In one of the most incendiary and formally experimental films of the Czechoslovak New Wave, two mysterious young women uncover humanity’s endless potential for revolt.
On the Channel
Jul 30, 2020 — Channel Calendars Stuck at home this summer? Don’t let that get you down—our Bad Vacations series makes the case for staying in and watching movies, cataloguing an array of holiday horrors ranging from existential ennui to full-throttle terror. That’s just...
Dec 1, 2009 — In the eight films he’s made since 1991, Arnaud Desplechin has been developing a visionary world, a personal style that goes against the grain of standard cinematic practice today. He’s a master of ensemble mise-en-scène and a brilliant director of...
Essays
Jul 1, 2025 — Made nearly two decades into Fritz Lang’s Hollywood career, this brutal noir is designed for maximum velocity and impact, eschewing the director’s accustomed flourishes in favor of a stark literalness.
Sep 25, 2013 — Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.
The Daily
Sep 8, 2025 — Father Mother Sister Brother and The Voice of Hind Rajab win top awards in Venice.
Essays
Nov 14, 2012 — Jean Luc Godard’s exuberant, multipronged attack on the bourgeoisie is both theater of the absurd and political horror.
May 14, 2024 — Despite the harsh critical drubbing it received upon its release in 1960, Michael Powell’s lurid tale of obsession and violence is now widely regarded as a masterpiece—and as a key inspiration for an entire subgenre of “slasher” movies.
The Daily
Sep 24, 2025 — She won the hearts of audiences and costars in The Leopard, 8½, and Fitzcarraldo.
The Daily
Sep 1, 2017 — New York. “A film series dedicated to one episode of a television series is—without going overboard—fairly unprecedented,” writes Jeremy Polacek for Hyperallergic, previewing Gotta Light?, the Metrograph series built around Episode 8 of Twin Peaks: The Return, now on through...