The Criterion Collection
The Daily
Jan 26, 2018 — Death has been greedy this week, taking not only artists who have left their mark on cinema but others, too, who have made an impact on our culture overall. The week began with the passing on Monday of Ursula K....
The Daily
Jan 24, 2018 — The forty-seventh edition of the International Film Festival Rotterdam opens today and runs through February 4. Over a month ago now, we started tracking the lineup, which the IFFR unveiled bit by bit every few days, culminating with the publication...
The Daily
Jun 16, 2017 — The title of the first part of Tom Paulus’s projected three-part essay for photogénie, “The Love Connection: Another Jam Session on Narrative,” references “Jam Session on Non-Narrative,” a conversation that took place between film critics Jonathan Rosenbaum, David Ehrenstein, and...
On the Channel
Apr 17, 2017 — The illustrious résumé of Tatsuya Nakadai doubles as a snapshot of Japanese cinema in its golden age. Starting in the 1950s, the wildly prolific actor made a career out of shape-shifting, amassing credits in a wide range of films that...
Interviews
Sep 16, 2014 — The following interview is from filmmaker and writer Chris Rodley’s 1997 book Lynch on Lynch. The interviews in the book were conducted by Rodley between January 1993 and December 1996. Eraserhead took five years to complete. You must have been...
Thanks to the two most famous roles of her career—the enigmatic woman referred to only as A in Alain Resnais’ _Last Year at Marienbad_ and the middle-aged widow stuck in domestic routine in Chantal Akerman’s Jeanne Dielman, 23, quai du...
The Daily
Dec 12, 2025 — This week: Bi Gan, Radu Jude, a new Film Quarterly, and of course, more year-end lists and polls.
The Daily
Nov 4, 2025 — BAM presents new restorations of Paris Awakens (1991) and A New Life (1993).
Apr 2, 2024 — The main attraction of the Metrograph series will be the new restorations of Green Fish, Peppermint Candy, Oasis, and Poetry.
Apr 25, 2023 — Steve McQueen’s monumental, five-film portrait of London’s West Indian community is a howl of endorsement for political resistance and a vivid indictment of institutional malaise.