A Bad Son

May 21, 2024 — The Senegalese filmmaker’s steadfast devotion to African autonomy led him to become a foundational contributor to the hard-won, dynamic flourishing of an independent cinematic tradition on his home continent.

Mar 18, 2024 — Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.

Aug 26, 2022 — In a pivotal early scene in this baseball classic, director Ron Shelton mischievously uses two contrasting rock tunes to comment on disparate versions of masculinity.

Mar 30, 2022 — Step into spring with a collection of blaxploitation deep cuts and spotlights on Guru Dutt, Delphine Seyrig, and the early work of John Ford.

Feb 24, 2022 — Next month on the Criterion Channel, we’re pushing the envelope with a series of the pre-Code films made by Paramount Pictures, a centenary tribute to Pier Paolo Pasolini, and a collection of groundbreaking concert documentaries.

Oct 29, 2019 — The actor-turned-producer made Paramount a major player during the heyday of the New Hollywood.

May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.

Jun 1, 2017 — Earlier this spring, Ryuichi Sakamoto gave an exquisitely intimate concert at the Park Avenue Armory in New York. Surrounded by a small audience in the venue’s opulent Veterans Room, the renowned Japanese composer was positioned in the center of the...

May 1, 2014 — When Walter Wanger conceived the movie that would become Riot in Cell Block 11, he wasn’t thinking in terms of pop culture. The longtime independent film producer, with classics (and Criterion releases) such as Stagecoach and Foreign Correspondent to his...

Apr 22, 2013 — A vivid portrait of a ruthless murderer, Laurence Olivier’s Technicolor Shakespeare adaptation is back in a killer restoration.