Not One and Not Two

Sep 27, 2017 — The fifty-fifth edition of the New York Film Festival opens tomorrow and runs through October 15. In his latest “Cinema ’67 Revisited” column for Film Comment, Mark Harris looks back at the fifth edition, noting that “Susan Sontag began her...

Sep 26, 2017 — Let’s start today’s round with a few books. Next month sees the release of Movies That Mattered: More Reviews from a Transformative Decade, Dave Kehr’s followup to his 2011 book, When Movies Mattered. Before he became a curator in the...

Sep 18, 2017 — New York. “The Whole World Sings: International Musicals, a weeklong, thirteen-film series at the Quad, is an education in song-and-dance practices outside the Hollywood one,” writes Nick Pinkerton for 4Columns. “René Clair’s Le Million (1931) [image above] is the earliest...

May 30, 2017 — Manhattan’s Quad Cinema reopened last month with a series of events that highlighted the emotional immediacy that comes with the experience of watching movies for the first time.

Apr 27, 2017 — Blending irreverent comedy and surreal eroticism, Juzo Itami’s international hit is a utopian look at the peculiarities of gastronomic culture.

Aug 17, 2016 — The director of Morris for America, a poignant coming-of-age tale about a thirteen-year-old boy and his widowed father, talks about his eclectic inspirations and unique approach to movie watching.

Dec 15, 2015 — Burroughs: The Movie, the culmination of late director Howard Brookner’s NYU thesis project, follows William S. Burroughs over the course of five years and provides “an authorial profile such as has never been and may never be matched.”

Sep 23, 2014 — In director Jack Clayton’s hands, Henry James’s tale of the sinister and sensual things hiding behind Victorian decorum becomes one of the screen’s great works of terror.

Apr 21, 2014 — A real-life prison uprising inspired this two-fisted tale directed by Don Siegel, who would go on to make many more films about men in extreme situations.

Dec 13, 2013 — Metin Erksan’s shocking and sensuous tale of greed and rural life was part of a vibrant Turkish cinema of the fifties and sixties.