May 22, 2019 Claudia Weill, the director of the landmark independent film Girlfriends (1978), first knew she wanted to make movies in college, after a summer job on a set opened her eyes to the fully immersive process of filmmaking. But it was...

May 22, 2019 Everyone’s all in for the first two acts of this love letter to Los Angeles—but for many, the third is a deal-breaker.

May 22, 2019 Cannes 2019 While politics has never been a stranger to the Cannes Film Festival lineup, this year’s offerings have proven to be even more charged than usual. And one of the more lively and notable premieres on the Croisette so...

May 21, 2019 Willem Dafoe and Robert Pattinson star in a two-hander that’s scoring some of the best reviews at this year’s festival.

May 21, 2019 Malick’s rendering of the true story of a conscientious objector has split the critics.

May 21, 2019 Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...

May 20, 2019 Professor David Bordwell unpacks the sophisticated design of Kenji Mizoguchi’s final masterpiece.

May 20, 2019 Setting the Haiti of 1962 next to present-day Paris, Bonello weighs the impact of French colonialism.

May 20, 2019 Triple crosses follow double crosses in this slick crime thriller.

May 20, 2019 For many, the semi-autobiographical film is one of Almodóvar’s best in years.

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