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In Gefahr und größter Not bringt der Mittelweg den Tod

Jul 17, 2020 Studio Ghibli for the kids, Bergman and Pasolini for the grownups, and more highlights from the week that was.

May 22, 2020 The Times of Harvey Milk Today—May 22, 2020—would have been Harvey Milk’s ninetieth birthday. Harvey was forty-five when I first met him in his camera store; I was nineteen. Harvey was murdered when he was just forty-eight, and I’m now...

May 21, 2020 Deep Dives “Right then, get dressed!” my mother sang out once a year when I was a child. “We’re going down the Lane,” and I was at the front door with my coat on before she was. The Lane was...

Apr 24, 2020 The range this week stretches from silent Soviet classics through Hollywood’s heyday and the Czech New Wave to the revolutions of the late twentieth century.

Outside and Inside

The Daily

Apr 10, 2020 This week we’re reading Peter Wollen on Performance, Thomas Elsaesser on puzzle movies, David Bordwell on how movies work, and more.

Manic Mahler

Features

Mar 26, 2020 Deep Dives BOOM! Mahler (1974) begins auspiciously and iconoclastically, as befits its director, with a peaceful lakeside scene shattered by an abrupt conflagration. The combusting hut echoes Kiss Me Deadly and anticipates The Sacrifice and Lost Highway (Lynch: “I got...

Feb 12, 2020 If you were born in Mexico City in the second half of  the twentieth century, you grew up feeling that everything could come tumbling down in a matter of minutes. You grew up amid the reverberation of past earthquakes—all their...

Jan 17, 2020 Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...

Jan 13, 2020 A key figure of the Czechoslovak New Wave, Passer went on to direct a classic American neonoir.

Feminizing the Western

On the Channel

Dec 23, 2019 The latest episode of Observations on Film Art explores the subtleties of framing, lighting, and decor that put an antipatriarchal spin on a traditionally male-dominated genre.

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