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As It Is In Life

True/False 2023

The Daily

Mar 2, 2023 This year’s lineup blends world premieres with fresh arrivals from Berlin and Sundance.

Dec 8, 2022 We can look forward to new work from Ira Sachs, Nicole Holofcener, Randall Park and Adrian Tomine, and Brandon Cronenberg.

May 5, 2022 A coincidental set of screenings and openings almost seems to be responding to the impending reversal of Roe v. Wade.

First Look 2022

The Daily

Mar 16, 2022 The dark shadow of Putin’s war hangs over much of this year’s program.

Jan 18, 2022 MoMA’s festival of film preservation presents Beat poets, crown jewels, a lonely Hungarian, and a Senegalese bad boy.

Oct 18, 2021 Panah Panahi’s debut feature expertly balances “knockabout humor and slowly tightening tension.”

Aug 3, 2021 With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.

Jul 27, 2021 The directors of Zola and Time will direct adaptations of novels by the acclaimed science fiction writer Octavia E. Butler.

Jul 13, 2021 One of the most remarkable Black films released in the 1990s, Bill Duke’s Deep Cover (1992) is an uncompromising film noir that uses the so-called war on drugs as its backdrop. The story follows Russell Stevens (Laurence Fishburne) as he...

Jun 11, 2021 “The whole world is dying of panicky fright.” The opening on-screen text of Todd Haynes’s Poison promises an unsettled experience. Yet these words also might as well be predicting the puritanical response to the film that erupted from conservative quarters. After winning...

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